Chinese mythology says that an alternate world existed behind every mirror -- a world filled with fantastical creatures which easily traveled between the two worlds -- until they began to wreak havoc. The portal would then be permanently sealed.
![]() |
An updated stainless steel take on a classic Chinese chair by ACF China. |
![]() |
Sideboard by Julia Gray Ltd. |
![]() |
Narcissus marble by John Gibson, 1838. |
![]() |
Side table from Century Furniture. |
![]() |
Grove nickel studded console. |
Masters of the Surrealist movements from Jean Cocteau to René Magritte have utilized the mirror as vehicles to blur the line between dreams and reality.
![]() |
Jean Marais in Cocteau's 1950 masterpiece, "Orphée" |
![]() |
"The Dangerous Liason" by Rene Magritte |
![]() |
By Rene Magritte, 1937. |
Perhaps the mirror's position as between dimensions continuously draws us to them. Do they exist merely to satisfy our vanity? to check for fly-away hairs? cat hair on our black jackets? to re-apply lipstick? Or are they meant to convey a truth in a much more profound and ethereal way?
I don't know.
![]() |
Console from Neiman Marcus. |
![]() |
Accent tables from Neiman Marcus |
![]() |
Haute House Claire Mirrored Ottoman from Horchow. |
![]() |
Side table from Hooker Furniture. |
![]() |
Side table from Arteriors Home. Sophia Buffet at Macy's. |
Designer tip #1: Less is more when it comes to bold statements like mirrored furniture; if overused, mirror pieces can easily spill over the border into "tacky-land". However, if you dare to make an over-the-top statement, do it with taste. And for that, you may need to consult a professional...with taste.
Designer tip #2: No mirrors on the floor or ceiling.
*Thanks to Jennifer Vandemeer for correcting my grammar once again.