Chinese mythology says that an alternate world existed behind every mirror -- a world filled with fantastical creatures which easily traveled between the two worlds -- until they began to wreak havoc. The portal would then be permanently sealed.
An updated stainless steel take on a classic Chinese chair by ACF China. |
Sideboard by Julia Gray Ltd. |
Narcissus marble by John Gibson, 1838. |
Side table from Century Furniture. |
Grove nickel studded console. |
Masters of the Surrealist movements from Jean Cocteau to René Magritte have utilized the mirror as vehicles to blur the line between dreams and reality.
Jean Marais in Cocteau's 1950 masterpiece, "Orphée" |
"The Dangerous Liason" by Rene Magritte |
By Rene Magritte, 1937. |
Perhaps the mirror's position as between dimensions continuously draws us to them. Do they exist merely to satisfy our vanity? to check for fly-away hairs? cat hair on our black jackets? to re-apply lipstick? Or are they meant to convey a truth in a much more profound and ethereal way?
I don't know.
Console from Neiman Marcus. |
Accent tables from Neiman Marcus |
Haute House Claire Mirrored Ottoman from Horchow. |
Side table from Hooker Furniture. |
Side table from Arteriors Home. Sophia Buffet at Macy's. |
Designer tip #1: Less is more when it comes to bold statements like mirrored furniture; if overused, mirror pieces can easily spill over the border into "tacky-land". However, if you dare to make an over-the-top statement, do it with taste. And for that, you may need to consult a professional...with taste.
Designer tip #2: No mirrors on the floor or ceiling.
*Thanks to Jennifer Vandemeer for correcting my grammar once again.
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